audio review : Who Is It ( song ) … Michael Jackson

This song; easily one of Michael Jackson’s best; is simply majestic. Its orchestral highlights; there’s a string prelude and a cello break before the final chorus section; and Epic vibe make the concept of a man’s wife leaving him for “someone else” seem rather trivial in comparison.

It’s the end of the world for him though. “I am the damned, I am the dead, I am the agony inside the dying head,” he laments, “This is injustice; ‘woe unto thee’; I pray this punishment would have mercy on me.” Those are the poetic ramblings of a heartbroken man.

my rating : 5 of 5

1991

audio review : Dangerous ( album ) … Michael Jackson

audio review : Dangerous ( album ) ... Michael Jackson

What’s Dangerous, at least to the career of Michael Jackson, was his decision to leave producer Quincy Jones after three hit albums. This one isn’t trimmed as tight as it probably would’ve been if he were still around; it goes for 77 minutes; but the way that time is utilized made it a risk worth taking. The set immerses itself in New Jack Swing; gritty dance grooves produced by Teddy Riley; before dwindling the tempo down for an eclectic assortment of ballads.

Gone Too Soon matches poetic similes with soaring orchestration. It’s a beautiful lament, but before you can shed a tear, the music fades to the thumping pulse of a nightclub. It’s not the place that’s unsafe. It’s a girl. She’s vindictive, conniving, sexy and divine, all at once. Could it be the return of Dirty Diana? Perhaps, but this album is not only better than Bad, it is arguably the best Michael Jackson album thus far and one of the two best albums I’ve ever heard.

There is Thriller, of course, and that’s where the internal arguments begin. Song for song, with a loaded gun to my head, I’d say Thriller is better. It certainly has a more ageless soundscape, which does wonders for its classicity. Dangerous dates itself with overactive sound effects and unwelcomed guest rappers, plus some of these songs go on a little too long, but the music is also incredible and Michael Jackson’s signature style is even more magnificent.

Unlike most singers, he doesn’t simply sing. He often takes on a riled staccato delivery that almost sounds like melodic rap. He snaps, grunts, hiccups, hees and hoos like no one else. Even when the ad-libs don’t match the words of the song, as during the peak of Will You Be There, you’re too enthralled to care. Can’t Let Her Get Away falters during its second half, but it’s a minor fault. This album is a masterpiece. Michael Jackson doesn’t need Quincy Jones anymore.

my rating : 5 of 5

1991

audio review : Give In To Me ( song ) … Michael Jackson

“Give in to me,” demands the controller. He’s addressing a woman and there are sexual undertones to his persistence. “I’m on fire,” he exclaims, “Quench my desire.”

This ballad, driven by an echoed snare and raunchy guitars, follows in the footsteps of Dirty Diana, which comes after Beat It, as the sole rocker on a Michael Jackson album.

my rating : 4 of 5

1991

audio review : Dangerous ( album ) ... Michael Jackson