audio review : Wu-Tang : The Saga Continues

audio review : Wu-Tang : The Saga Continues

This isn’t really a Wu-Tang Clan album. It’s a compilation of new songs featuring Wu-Tang Clan, U-God excluded, along with a fistful of guest rappers and singers. The project is produced by DJ Mathematics, so the beats; the sort of rough rugged hip-hop you’ve come to expect from the group; are consistently solid. So are the raps. It’s the abundance of weak breaks, like the amateurishly-cut Frozen and Hood Go Bang hooks, and awkward artistic decisions, like having nonmember Redman start things off, that flaw the set.

my rating : 3 of 5

2017

audio review : 225 Rounds ( song ) … U-God + Cappadonna + Bronze Nazareth + Rza

U-God sets the tone with a fitting flow. The other rappers should’ve mimicked it, but they do their own thing with mixed results. Cappadonna’s “crazy” line is funny and Rza begins with a nice rhyme scheme, but they’re somewhat anticlimactic after U-God. The beat is on target at least when the guitar loop plays. The horns that replace it during the breaks are a miss. Perfect title though.

my rating : 3 of 5

2011

audio review : A Better Tomorrow ( album ) … Wu-Tang Clan

audio review : A Better Tomorrow ( album ) ... Wu-Tang Clan

The main problem I have with this album is the title. Wu-Tang Clan (members) made a song called A Better Tomorrow in 1997. Making a new one that seems to have nothing to do with the original and titling a new album after it, or vice versa, is conceptually outlandish. Surely they could’ve thought of a different name for this project. I guess Rza is the one to blame. He’s not only the leader but also my favorite member. As an MC, he’s generally underrated in comparison to the more critically acclaimed ones like Method Man, Ghostface and Raekwon. Not that he has many chances to rap. Wu-Tang Clan is a group of nine; Cappadonna seems to have unofficially taken the place of Ol Dirty Bastard; and Rza’s busy making beats.

That mix of raw eclectic hip-hop is more elaborate but usually less fulfilling than his earlier simpler stuff. It does, however, represent the best parts of an album with raps that are rarely better than decent and hooks you don’t want to hear more than once. Crushed Egos, Hold The Heater, Ruckus In B Minor; all fall victim to banal breaks. Miracle, the chorus of which sounds laughably out of place on a Wu album, needs a Disney disclaimer. Felt, a disaster in wordplay à la KRS-One’s Hold, is stupid. Forget the lack of chemistry between rappers; the monologues consist of old Dirty Bastard clips; the album is basically another 8 Diagrams. That means I’ll play the one or two songs I like and just hope they do better next time.

my rating : 3 of 5

2014