1997 or 1998
The Halloween series resets itself again, this time all the way back to the 1978 original. It’s a remake by Rob Zombie and easily the best movie in the franchise. That’s mostly due to the liberties it takes with the plot, a third of which focuses, close-up and shaky, on “Mikey” as a psychopathic child.
Character backstories are usually best left untold, or at least kept to a minimum, especially the enigmatic Bogeyman type, but the case study of Michael Myers, led by Malcolm McDowell as doctor Samuel Loomis, lends a layer of poignancy to the later kill scenes. It also explains why he wears the mask.
my rating = 4 of 5
2 is better than 1 if only because it starts, after a pointless recap, at full thrust. It’s still Halloween night (1978) in the city of Haddonfield and Michael Myers remains on the loose. Laurie Strode is his prime target and she’s still conveniently inept, at one point waiting for help to walk away to scream for help, but this time it’s revealed why he wants to kill her so bad. The best parts are the first several minutes after the beginning title sequence before the setting switches to the local hospital, where it stays to the end.
my rating = 3 of 5
What do you do after finally subduing and taking the knife from the masked murderer who’s been trying relentlessly to stab you to death? Drop it on the floor beside his seemingly unconscious body, of course, and hang around until he gets up.
It’s such dumb decisions that’ll have you rooting not for the protagonist, a girl named Laurie, but The Bogeyman himself; a ruthless killer named Michael. He’s escaped from a psychiatric hospital to wreck havoc on the night of, you guessed it, Halloween.
There are some scary moments here, most notably during the ending climax; the movie wouldn’t be as entertaining as it is if Laurie were smart enough to simply run away; but they’re undermined by all the wacky characterization and plotting.
my rating = 3 of 5