Marcel Lee




war

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posted 2013 April 23

2012

starwars.com


posted 2012 October 30

Avatar ( movie )

The war-driven plot may be a racy historical metaphor, but that’s about as far out on an artistic limb James Cameron is willing to go. Everything else about Avatar; his first movie since Titanic; is safe and sound, often to the point of being cliché; a fact its surprisingly stodgy dialogue and paper-thin characterization give away right from the beginning.

In a future world where Earth people fly to other places in search of mineral goods, a marine named Jake Sully infiltrates moon Pandora; home of a race of tall blue cat-people with long tails and braided hair. He does so with a team of scientists via the Avatar program, which allows them to live on Pandora as Navi creatures without really being there.

It’s imaginative science fiction and the world of Pandora is a visual wonder. There are strange creatures, big and small, and awe-inspiring landscapes that sort of make you want to visit a place like that in real life. But the story; a mythological fairy tale based around eye-rollingly unnecessary themes of religion and romance; never lives up to the hype.

my rating = 3 of 5

2009


posted 2012 August 01

2005


posted 2012 May 19

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posted 2012 February 10

Fair Game

This movie, based on a memoir by former CIA agent Valerie Plame Wilson, seems to have its political views in the right place. That is, it’s not afraid to portray the United States government as the corrupt organization it often is. The main focus goes back to the weeks, months and years after “9-11″ and the questionable war that started as a result. But the plot, which plays around Valerie’s sudden termination from the CIA; the result of her ambassador husband publically denying that Saddam Hussein is using “yellowcake” to make weapons; doesn’t really untangle itself until about the half-way point. From there, this Fair Game is two people versus the government in what is ultimately anything but.

my rating = 3 of 5

2010


posted 2012 January 02

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1983


posted 2011 December 17

Soldier Of Love

Songstress Sade has a thing for “love”. This is her third album in a row with that word in the title. For her, it’s a catch-all for romantic allure, which this time comes with the theme of war. Even the Babyfather ballad, presumably dedicated to her own daughter, has “troops and extra backup standing by”.

It’s a waste of resources though. The one place mother Sade needs back-up is on the choruses of these songs, which rarely sway from the narrow melodic range we’ve come to expect from her. It, along with the smooth bassy jazz grooves it’s presented upon, represents her comfort zone. But slow neo-soul music only goes so far.

There’s some impressive, subtle yet sporadic, instrumentation happening during the last third of the title track, which marches like the drum-beat of a military band. But the best song doesn’t come until the end. “In my heart, your love has found the safest hiding place,” she sings to her soldier.

my rating = 3 of 5

2010


posted 2011 December 02

I’m an American, but I’m no patriot. And I’ve lost what little fascination I had with comic books a long time ago. So Captain America does nothing for me as a character. This movie; the latest in a relatively recent string of money-motivated superhero flicks; makes him matter even less, because his story isn’t an exciting one. If it was, then director Joe Johnston did a piss-poor job of telling it.

Where the first Iron Man had its clever and maybe even some awe-inspiring moments, the script here is all hack; significant only in the sense that it leads directly to the much-hyped Avengers movie, which I have no interest in seeing. Even the visuals, featuring a bulky Chris Evans CGIed down to a charicaturous weakling, lack luster. And that’s surprising for a film with a 140-million-dollar budget.

my rating = 2 of 5

2011


posted 2011 November 14

2010


posted 2011 November 12

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