video review : Straight Outta Compton

video review : Straight Outta Compton

I would’ve preferred a documentary, but here it is; the story of NWA in Hollywood movie form. I was never a fan of the group, but two of its members, Dr Dre and Ice Cube, went on to become megastars in their own right. The same might’ve been said for leader Eazy-E if this story didn’t end the way it did. His dying of HIV, hardly a spoiler, is only one of many highlights the bouncy script touches upon. It’s a straight rundown of the group’s career, from low class teenagers in crime-ridden Compton to famous rap stars, with more focus on the behind-the-scenes drama than the music.

Straight Outta Compton, crudely named after the title of their debut album, isn’t anything special on the whole. Its individual parts; director F Gary Gray has a knack for glamorizing life thru movie scenes; are what keep things interesting. The prologue sequence of Eazy-E getting caught in a dope house raid and a funny bit involving a groupie named Felicia are prime examples. The actors tend to overact; you get the sense that the characters know they’re in a movie; but such flaws are basically forgiven to watch the story, which hints at a sequel focused on Dr Dre’s solo career, unfold.

my rating : 4 of 5

2015

audio review : Regulate : G Funk Era [ Part 2 ] ( EP ) … Warren G

audio review : Regulate : G Funk Era [ Part 2 ] ( EP ) ... Warren G

This release, presented as the sequel to Warren G’s Regulate album, reeks of desperation. Fans who haven’t checked for him in years, decades even, will be inclined to give it a listen for the name alone. He’s apparently banking on that.

Part 1 is regarded by many as the best rap album of 1994, but that album, while short, is a normal one that features Nate Dogg only on its title song. Following it via an EP with prehumous Nate Dogg vocals on every song makes no artistic sense.

It’s a hasty attention grab made worse by the fact that My House, in which G mimics R Kelly’s Woman’s Threat, is annoying during the breaks and the final song, about murderous set-up hoes, is conceptually an inappropriate way to end the set.

my rating : 2 of 5

2015