The bridge is tranquil and drumless, but, with a title like Gravity and all its spatial implications, I’d imagine the whole song would sound like that. Perhaps it’s a good thing it doesn’t. The Machinedrum (and-bass) breakdown at 2:13 is the best part. This is also one of Tinashe’s better songs, albeit one that continues her fixation with the cliché concept of romance, in the way of vocal melody.

my rating : 4 of 5

2023